Sinfónica de Minería In Avon
Nottingham Park, Avon Sinfónica de MineríaThis event is free & tickets are available at the main gate for entry.
By overwhelming demand, Bravo! Vail is proud to present Sinfónica de Minería for a second year in a special concert at Nottingham Park in Avon, Colorado. This free-to-the-public event will showcase Hispanic and Latin works with the special flare and joy the ensemble is known for internationally.
Featured Artists
Carlos Miguel Prieto
Pacho Flores
Carlos Miguel Prieto
conductor
Known for his charisma and expressive interpretations, Mexican conductor and GRAMMY-winner Carlos Miguel Prieto has established himself not just as a major figure in the orchestra world but also as an influential cultural leader, an educator, and a champion of new music.
In a significant career development, he started his tenure as music director of the North Carolina Symphony at the beginning of the 2023–24 season. From 2007 to 2022, Prieto was the music director of the Orquesta Sinfónica Nacional de México, the country’s leading ensemble, and significantly raised the caliber of the orchestra. He was also music director of the Louisiana Philharmonic Orchestra from 2006 to 2023, where he helped lead the cultural renewal of New Orleans following Hurricane Katrina.
In 2008, he was appointed music director of Sinfónica de Minería, which he led to a Latin GRAMMY-nomination for Best Classical Music Album. In 2023, Prieto led Minería in a highly successful tour of the United States, and in 2024 they return to perform in residence at Bravo! Vail Music Festival.
Recent highlights include engagements with the London Philharmonic Orchestra, NDR Elbphilharmonie, Frankfurt Radio Symphony, the Hallé, Royal Liverpool Philharmonic, the Spanish National Orchestra, Bournemouth Symphony Orchestra, BBC National Orchestra of Wales, Strasbourg Philharmonic, and Auckland Philharmonia.
Prieto is in demand as a guest conductor with many of the top North American orchestras, including Cleveland, Dallas, Toronto, Minnesota, Washington, New World, and Houston. He has enjoyed a particularly successful relationship with the Chicago Symphony Orchestra and the North Carolina Symphony.
In 2023, Prieto made his hugely successful BBC Proms debut at Royal Albert Hall. Since 2002, alongside Gustavo Dudamel, Prieto has conducted the Orchestra of the Americas, which draws young musicians from the entire American continent. A staunch proponent of music education, Prieto served as Principal Conductor of the YOA from its inception until 2011 when he was appointed music director. In 2018 he conducted the orchestra on a tour of European summer festivals, which included performances at the Rheingau and Edinburgh festivals as well as Hamburg’s Elbphilharmonie. He has also worked regularly with the National Youth Orchestra of Great Britain and the NYO2 in New York.
Prieto is renowned for championing Latin American music as well as his dedication to new music. He has conducted over 100 world premieres of works by Mexican and American composers, many of which were commissioned by him. Prieto places equal importance on championing works by Black and African American composers such as Florence Price, Margaret Bonds, and Courtney Bryan, among others.
Prieto has an extensive discography that includes Deutsche Gramophone, Naxos, and Sony labels. Prieto was recognized by Musical America as the 2019 Conductor of the Year. A graduate of Princeton and Harvard universities, Prieto studied conducting with Jorge Mester, Enrique Diemecke, Charles Bruck, and Michael Jinbo.
Pacho Flores
trumpet
Pacho Flores was awarded first prize in the “Maurice André” International Contest, the most renowned trumpet Contest in the world, as well as first prize in the “Philip Jones” International Contest and first prize in the “Cittá di Porcia” International contest. Trained in the marvelous Orchestra System for Youth and Children in Venezuela, he received top recognition for his performances, recitals, and recordings as a soloist.
Capable of managing classical or popular styles indistinctively, Flores adds to his captivating interpretations a great deal of energy tinged with the most beautiful instrumental colors. Acting as soloist, he has performed with the Philharmonic Orchestra of Kiev, Camerata from St. Petesbourg, Orchestral Ensemble from Paris, Orchestre de la Garde Républicaine, NHK Orchestra from Japan, Symphony Orchestra of Tokio, Philharmonic Orchestra of Osaka, Simón Bolívar Symphony Orchestra from Venezuela, Symphony Orchestra of Dusseldorf, and the Arctic Philharmonic Orchestra amongst many others. He has also given recitals in concert halls such as the Carnegie Hall in New York, Pleyel Hall in Paris, and the Opera City in Tokio.
Serving as one of the founding members of the Simón Bolívar Brass Quintet, he has taken part in numerous tours around Europe, South America, United States, and Japan. Experienced orchestral musician, Flores has held the Leading Trumpet position in the Simón Bolívar Symphony Orchestra of Venezuela, Saito Kinen Orchestra from Japan, and the Symphony Orchestra of Miami, under the musical direction of maestros like Claudio Abbado, Sir Simon Rattle, Seiji Ozawa, Giuseppe Sinopoli, Rafael Frübeck of Burgos, Eduardo Marturet, and Gustavo Dudamel including many others.
As founding director of the Latin-American Trumpet Academy in Venezuela, he fosters a promising generation of young talents. Flores is extremely keen on promoting Contemporary Music and does so providing important contributions by means of the performance and interpretation of his instrument. His repertoire includes commissions and premieres of works by composers such as Roger Boutry, Efraín Oscher, Giancarlo Castro, Santiago Báez, Juan Carlos Nuñez, and Sergio Bernal.
Recently he has carried out an important concert tour across Norway and Austria with the Arctic Philharmonic Orchestra under the direction of Maestro and Composer Christian Lindberg, interpreting his concert “Akbank Bunka”, a piece for Trumpet and Orchestra, making his debut at the Fiestpielhaus of Salzburg, and at the Musikverein of Viena. His first album “La Trompeta venezolana” was released by the record label Guataca Producciones.
Artist from the Stomvi family, he plays instruments that have been exclusively manufactured for him by this renowned firm and is actively involved in the developments and innovations of his instruments. Pacho Flores is a Deutsche Grammophon exclusive artist with already three recordings, Cantar with Konzerthaus Orchester Berlin and Christian Vásquez; Entropía, Gold Medal of the Global Music Awards; Fractales with Arctic Philharmonic and Christian Lindberg; the double CD-DVD Cantos y Revueltas with Real Filharmonía de Galicia and Manuel Hernández-Silva; and Estirpe with Orquesta Sinfónica de Minería y Carlos Miguel Prieto, nominated and awarded at the Latin GRAMMYS.
Program Notes
Carlos Miguel Prieto, conductor
Pacho Flores, trumpet
CHÁVEZ Sinfonía india
ARTURO MÁRQUEZ Concierto de Otoño (Autumn Concerto) for Trumpet and Orchestra
GABRIELA ORTIZ Antrópolis
JUAN PABLO CONTRERAS Mariachitlán
MONCAYO Huapango
All artists, programs, and pricing subject to change.
Program Notes
Sinfonía india for Large Orchestra (Symphony No. 2) (1935)
CARLOS CHÁVEZ (1899-1978)
Sinfonía india
Carlos Chávez holds a keystone position in the history of Mexican music thanks to his work as a composer, conductor, and administrator (see program note for June 24). Notwithstanding the position he enjoyed as a modernist of international standing, he is most often encountered today through his overtly nationalistic works, among which the Sinfonía india remains the most celebrated. Even in his Mexican nationalist pieces Chávez tended to invent his own melodies, which would evoke, rather than quote, traditional tunes. But this was not the case with the Sinfonía india, the first work in which he employed identifiable folkloric melodies. One is from the repertoire of the Seri Indians of Sonora, another from the Huicholes of Nayarit, and the third from the Yaquis, also of Sonora. These three melodies provide the point of departure for this 12-minute single movement, a highly original tone poem in which the folkloric element balances with the languages of modernism and primitivism—an authentically Mexican response to such works as Stravinsky’s Rite of Spring or Prokofiev’s Scythian Suite.
Concierto de Otoño (Autumn Concerto) for Trumpet and Orchestra (2018)
ARURO MÁRQUEZ (B.1950)
Concierto de Otoño (Autumn Concerto) for Trumpet and Orchestra
Son de luz (Dance of Light)
Balada de floripondios
(Ballad of Angel’s Trumpets)
Conga de Flores (Conga of Flowers)
Arturo Márquez was born into a musical family in Mexico; his father was a mariachi performer and his grandfather a folk musician. He began studying violin while a teenager, after his family had moved to Los Angeles, and had advanced composition study in Mexico City, in Paris, and finally at the California Institute of the Arts. His music has to some extent unrolled along two parallel paths: heady interdisciplinary creations and avant-garde explorations (including electro-acoustic works), and pieces that build on folk models and convey an immediately identifiable Mexican flavor. “The trumpet is queen in the soul of Mexico,” he said. “We find it in practically all popular musical expressions; it is the Mexican cry of joy and sadness.” His Concierto de Otoño expands the “trumpet flavor” in both pitch and sonority by having the soloist use four members of the trumpet family: Trumpet in C in the first movement (a son, or Cuban-style dance), Flugelhorn and Cornet in F in the second (which references the Angel’s Trumpet, the vernacular name of the Brugmansia, a tropical plant with downward-drooping flowers), and Trumpet in D in the third.
INTERMISSION
Antrópolis (2018, rev. 2019)
GABRIELA ORTIZ (B.1964)
Antrópolis
After studying with the composers Mario Lavista and Federico Ibarra and earning a Ph.D. in electro-acoustic composition from the City University in London, Gabriela Ortiz returned to Mexico City, where she has taught at the Universidad Nacional Autónoma de México since 2000. In 2016 she was awarded the prestigious Premio Nacional de Ciencias y Artes, in 2019 was inducted into the Academía de Artes, in 2022 became the first woman composer inducted into the Colegio Nacional, and for the 2024-25 season was composer-in-residence at Carnegie Hall. A number of her works grapple with Mexico’s social issues, but Antrópolis involves a happy subject. She writes: “In Mexico, until the ’90s, the term [antro] referred to bars or entertainment places of dubious reputation. But nowadays, and especially among younger people, this word refers to any bar or nightclub. Antrópolis is the sonorous reflection of a city through its antros, including the accumulation of experiences that we bring, and that form an essential part of our history in … very complex but fascinating Mexico City.”
Mariachitlán (2016)
JUAN PABLO CONTRERAS (B.1987)
Mariachitlán
“Mariachitlán (Mariachiland) is an orchestral homage to my birthplace, the Mexican state of Jalisco, where mariachi music originated,” says composer Juan Pablo Contreras. “The work recounts my experience visiting the Plaza de los Mariachis in Guadalajara, the capital of Jalisco, a place where mariachis play their songs in every corner and interrupt each other to win over the crowd.” A leading voice among young Mexican composers, Contreras explores common ground between Mexican traditional music and modern symphonic practice. A graduate of the California Institute of the Arts (BFA), Manhattan School of Music (MM), and University of Southern California (DMA), he teaches orchestration and music theory at the USC Thornton School of Music. “In Mariachitlán,” he continues, “traditional rhythms such as the canción ranchera (ranchera song) in 2/4 time (choon-tah choontah), the vals romántico (romantic waltz) in 3/4 time (choon-tah-tah), and the son jalisciense (Jalisco song) that alternates between 6/8 and 3/4 time accompany original melodies inspired by the beautiful landscapes of Jalisco. Mariachi instruments such as the trumpet, harp, and violin are featured as soloists in this work.”
Huapango (1941)
JOSÉ PABLO MONCAYO (1912-58)
Huapango
Along with Chávez’s Sinfonia india, Márquez’s Danzón No. 2, and Silvestre Revueltas’s Sensemayá, José Pablo Moncayo’s Huapango is among the most frequently performed of Mexican symphonic works from the past century. A composition pupil of Chávez and Aaron Copland (at Tanglewood), Moncayo, a native of Guadalajara, served as pianist and percussionist with the Orquesta Sinfónica de Mexico (1932-44) and conductor of its successor organization, the Orquesta sinfónica nacional (1949- 54). He composed Huapango at the request of Chávez, who led its premiere. A sometimes collector of folk songs, Moncayo selected three from the east-central Mexican state of Veracruz, home of the Huastec people: “Siquisirí,” “Balajú,” and “El Gavilancito.” The word huapango refers to a family of dances from that region. Its etymology may be a regional variant of the more familiar term fandango, or it may trace back to a Nahuatl term meaning “on top of the wood,” referring to a wooden platform on which such works are danced. Moncayo’s orchestration places some emphasis on several instruments widely encountered in Veracruz folk music, including trumpet and harp.
Frequently Asked Questions - Plan ahead!
What is the schedule of events for Sinfónica de Minería In Avon?
Community Fair begins: 4 PM - 6 PM
Battle Mountain High School Drumline: 5:20 PM
Eagle Valley Community Foundation Volunteer Recognition: 5:45 PM
Concert: 6 PM - Sinfónica de Minería
What is the Community Fair and who are the partners?
The Community Fair, beginning at 4 PM, is the opportunity to celebrate the good work our community partners accomplish year-round in the Valley. A special highlight will be recognizing and celebrating the Eagle Valley Community Foundation's 10th Anniversary, debut of a new MIRA Bus along with a special pre-concert recognition of EVCF's 2025 Volunteers.
View the full partner list here. Subject to change.
- Eagle Valley Community Foundation/Elevar
- Stanton Radon
- Elevated Engravings LLC
- Quality Clean laundry Service
- Village Barbershop
- Habitat for Humanity Vail Valley
- Eagle Valley Community Foundation- MIRA
- The Community Market
- Mountain Dreamers
- Exploremos-WMSC
- Colorado Mountain College - Vail Valley Campus
- Mountain Youth
What happens during inclement weather?
All Avon free events will happen rain or shine (or snow!) unless live performances and/or safety of our staff or guests would be impeded by weather. In severe weather scenarios events may have a change of location or be canceled due to lightning, dangerous winds, wildland fires or outlook, etc. If an event is canceled or guests are required to shelter, there will be notifications through multiple channels such as Bravo! Vail / Town of Avon / Discover Avon Facebook, Instagram accounts, press release and website. Attending an
event in a high-alpine environment means you should always be prepared with appropriate clothing and protective gear.
In the event of an emergency and sheltering is required, guests will be directed to take shelter in their vehicle, Avon Recreation Center, or other accessible facility
How do I get to the park? (Transportation)
Use the EcoBus and help our environment! Take the free bus from Vail to Eagle and all towns in between, including Avon! Don't forget to get off at the Avon Station! Full schedule and details here.
Nottingham Park will be undergoing construction on the south side of the park and parking regulations are in effect. Please prepare ahead of time and use the EcoBus for the best experience! Consider carpooling or other modes of transportation, including walking, cycling, and public transportation. Review all signage before you park your bike, vehicle, or wagon/stroller.
TOWN OF AVON PAID PARKING REGULATIONS
Town of Avon has introduced a paid parking plan on Town core streets and on some Town owned properties, please review the parking information provided below thoroughly and communicate it to your guests prior to arrival.
The Town of Avon will provide free parking for the first three hours in the following locations:
- On-street parking in Town owned parking stalls on (1) East Benchmark Road, (2) West Benchmark Road, (3) Lake Street, (4) West Beaver Creek Boulevard.
- Riverfront Lane: Restricted to 10 minutes only
- Mikaela Way: Restricted to Library patrons only
- Users will be required to pay $1 per hour beyond the initial three free hours.
- The parking will be regulated between 8:00 a.m. and 5:00 p.m. seven days a week, 365 days a year and is subject to change.
- There will continue to be no overnight parking from 12:00 a.m. to 6:00 a.m. without Avon Police Department approval.
For more detailed information on Avon’s paid parking plan, please visit the official website here.
If you plan on commuting to the event in a personal vehicle, please consider these recommended lots. Pricing and fees subject to change or review by the property owner.
- Bear Lot/ Elk Lot at Beaver Creek Resorts
- US Bank Parking Lot
- Avon Elementary School
- Freedom Park and Bus over
Take the FREE buses from EVTA and The Town of Avon. DON'T FORGET TO GET OFF YOUR BUS AT THE AVON STATION!
What should and can I bring?
What should I bring?
- Reusable beverage vessel
- Blanket/low backed camping or beach chair
- Sunscreen
- Hat
- Sunglasses
- Valid Government issued ID to purchase alcoholic beverage
- Comfortable footwear
What is prohibited?
- Drones
- Weapons of any kind
- Illegal substances
- Laser pens and similar focused-light devices
- Musical instruments
- Walkie-Talkies
- Fake IDs – they will be confiscated
- Fireworks
- Pets off-leash
Will there be concessions? (Food & Beverage)
A select few wonderful vendor partners will have fully-operational food trucks on-site with food available for purchase. All vendors listed below subject to change.
- The Chi Shack
- Taqueria Los 3 Gallitos
- Mountain Minis/Elevated Elote
- Flavor Stop
May I bring a chair or blanket to the event?
Low-back chairs, blankets and small tables are allowed if they do not impede the view corridor of others. Short-legged chairs to sit on the lawn (EX: Crazy Creek or REI Trail Chair) – chairs can be no more than 5 inches off the ground.
May I bring my own food and/or beverages?
You may bring your own food and non-alcoholic beverages – no single use plastic vessels – however, there will be plenty of delicious food and beverage options at most events and we encourage supporting our local vendors/restaurants. There will be free water filling stations and canned beverages available for purchase at most events, please check the specific event website page for details. Additionally, if you must bring your non-alcoholic beverage with you in a single use plastic bottle, please recycle it in the receptacles provided. Please reference above regarding when alcoholic beverages are allowed.
Are events accessible to people with disabilities?
Yes, Nottingham Park has hard surface paths and locations which will accommodate access.
May I Bring My Own Alcohol?
Even though Nottingham Park is designated as “open container” during summer months, during special events where alcohol is being sold, alcohol is not allowed within the liquor boundary.
Below is a list of Town and/or third party produced events where alcohol is being sold and therefore,
outside alcohol is not allowed.
1. AvonLIVE!
2. Salute to the USA
3. Avon Arts Celebration
4. Triple Bypass
Alcohol is not being sold at this event.
Are pets allowed at the park?
This event will have live music and loud sounds can be disturbing to some pets. Dogs are allowed but must be on a leash. All service animals are permitted.
Is smoking allowed?
Avon is a smoke-free community (tobacco, marijuana, etc.). The smoking of marijuana in any outdoor area, public or private, in Avon is illegal.
What is Bravo! Vail doing for safety & security?
Bravo! Vail works with local police, fire, and emergency services, each town municipality, and private security at all of its events. Our goal is to ensure a safe, welcome, and entertaining experience for all.